Camera for extreme shooting review. Go Pro is the best extreme video camera. The best camera for extreme sports
Trendsetter in the world cameras for extreme sports is a GoPro company. The manufacturer offers a wide range of fasteners and accessories that will help securely fix action camera on a helmet, snowboard, skis or on the chest. Fans of windsurfing or cycling will appreciate the pipe mounts. Thanks to a special box, the device will be protected from snowfall, and it will also allow you to shoot underwater or when falling into a snowdrift. And if you additionally purchase a telescopic cane, then you can even film yourself from the most incredible angles. In most cases, a basic set of fasteners is quite sufficient.
How to choose camera for extreme sports
To buy correctly action camera, it is necessary to take into account a number of important points. Some of the most important are specifications. Since the shooting will be done in active motion, the number of frames per second comes to the fore. This indicator is especially important if you plan to record all sorts of tricks or various sudden movements. If the frames per second are high in the future, you can watch the recording in slow motion and dissect each action. In addition, modern video editors will help you get the desired effects.
If you want to choose the right action camera, evaluate the conditions in which it will be used. It would be good if the device had a waterproof case. Moreover, this characteristic is important not only for shooting underwater, but also in normal conditions. So, for example, if it rains unexpectedly, you will not miss the opportunity to make a high-quality video. On the other hand, you can limit yourself to a moisture-proof chamber that will withstand splashes and light rain.
Determining the quality of shooting
Choosing action camera for extreme sports, it is important to choose its optimal resolution. So, if the recording will be viewed only in partial screen mode, then a resolution of 480p (WVGA) should be enough. However, to watch video on the screen of an LCD TV, such indicators will clearly not be enough. On the other hand, such cameras will help you achieve maximum cost savings because they are inexpensive.
Cameras that shoot in 720p resolution (ActionHD) allow you to get higher quality images. The picture will be of good quality, even if it is viewed in full screen mode on a computer. On the other hand, owners of plasma panels will appreciate devices that provide 1080p resolution (FullHD). It is the maximum to date.
It's also good to think about any additional accessories you might need. For example, a battery of increased capacity, the presence of a liquid crystal screen or other points that expand the functionality of the device.
The AvtoProfi store offers sports cameras from the best manufacturers. Each model is highly reliable, and thanks to the wide range, you can easily choose the most optimal device for you. Contact us! We will help you capture the best moments of your active life!
The man is a hunter, and the thirst for adrenaline is in his blood. If you are into alpine skiing, snowboarding, rafting, surfing, rock climbing, wake, or any other extreme sport, you probably know how you want to capture your best trick and leave cool pictures as a souvenir.
If you love photography, during your next trip with friends to the mountains or the coast, take on the role of a sports photographer. Keep in mind that doing this is sometimes as difficult as the sport itself. You have to climb trees, shoot on rocks, follow the athletes, not one step behind them, and sometimes even ahead of them, and at the same time think only about how to get good shots. Professional sports photographer Leonid Zhukov shared with us the secrets of extreme photography.
“Extreme photography is when you love sports so much that you can’t help but photograph them. It all started with a hobby - I took photographs for myself and for friends. And then it ceased to be just a hobby, and now it is one of my main activities. And my favorite thing.”
Basics
Extreme photography is a separate direction of photography. Just as a dentist understands little about cardiac surgery, the same applies here: in order to photograph extreme sports well, the photographer must “be in the know.” Some tips for those who want to learn how to shoot sports:
Love what you shoot. It’s best if you yourself are involved in extreme sports or have at least tried yourself in the direction you are filming. This will allow you to feel and capture the most interesting moments, to convey in the frame all the beauty and complexity of the tricks performed.
Stay fit. Extreme photography places increased demands on the physical form of the photographer. This is not a studio shoot! You need to be ready to climb mountains with a backpack full of equipment, sit in the snow and rain, waiting for the rider to jump from that jump, run with a camera along the route to catch the most important shots.
Get started from friends or local shoots sporting events. Once you realize that your photos are looking good, you can try moving on to larger competitions and more complex shots.
About technology
Of course, professional equipment is not the key to a successful photo. To capture the right moment and choose the best angle, you simply need experience and skills in reportage photography. However, no matter how good a photographer you are, amateur technology will never give you the opportunity to take the perfect photo.
Choose the right camera. Professionals prefer to take one precise shot rather than shoot with a machine gun. However, a trick can be so dynamic that it can be difficult to pinpoint a specific moment. It’s better to shoot a series and then, in a calm atmosphere, choose the most successful shot. The determining factor here is the camera's rate of fire - choose a camera that shoots at least 5 frames per second. For modern digital cameras One more parameter is important - the matrix. Professionals choose full frame cameras - when the matrix is approximately equal in size to a 35 mm film frame. Only full-matrix cameras can convey the full depth of light and color that traditional film equipment is capable of.
Speed matters. Photos must not only be taken quickly, but also recorded quickly. Use high-speed flash cards: when you shoot large series, the difference with regular cards is very noticeable. Also important here is the temperature difference, which guarantees stable operation. Special “extreme” series of cards allow you to shoot in the range from -25 to 85C without failures.
What else should you pay attention to? A set of fast lenses - from wide-angle to telephoto - will make it possible to shoot in any conditions (for example, 14-24 f/2.8, 70-200 f/2.8). Flashes can help freeze motion or create more dramatic lighting.
Save money. Good technology is usually expensive. If you have just begun to master the art of extreme photography, do not rush to immediately purchase premium equipment. After all, before investments in a hobby begin to pay off, more than one month of long and hard work will pass. Ebay.com will help you save money and time on selecting the right equipment. Often there you can find not only individual lucrative offers, but also entire kits - a camera with suitable lenses, filters, flash and everything you need to get started. This collection, for example, contains everything for the beginning extreme photographer.
About travel
“When traveling, you always want to combine photography, relaxation, and extreme sports. Film your friends, and let them film you! And then everything will work out.”
If you have already mastered surfing in Bali and skiing in the Alps, and still decide to take sports photography seriously, be prepared for the fact that all the most interesting things happen at international competitions. You will have to travel a lot, attending various sports competitions. What to take with you on such trips?
What should be in a backpack. When going on a trip, in addition to photographic equipment, you may need: Swiss knife(saw off a branch, tighten a screw on a tripod, cut off a piece of a color filter, or share an apple with friends); insulating tape, 2-3 meters thin climbing rope and several plastic clamps(universal tools that allow you to secure anything, anywhere), several garbage bags(in summer, rain can start as unexpectedly as it ends, especially in the mountains; you can not only cover your camera with a bag, but also wear it instead of a raincoat), a couple granola bars- sometimes a photographer simply doesn’t have time for a snack, but needs to maintain strength.
Clothing should not restrict movement. This concerns not only a comfortable cut, but also compliance with the shooting conditions. A photographer should think about how to take a beautiful shot, and not about how to avoid getting his sneakers dirty. In winter, the two main wardrobe essentials are warm, waterproof boots and good gloves. Gloves should be moderately warm to keep your fingers warm, but also moderately thin so as not to lose sensitivity for operating the camera. In summer, this usually means light pants, a couple of T-shirts (usually synthetic), a fleece that can be stowed in a backpack, and a sun cap.
Be prepared for extreme conditions. In search of an unusual, interesting angle, you may have to shoot in the mountains or climb trees. For this, climbing equipment will be very useful - ropes, carabiners, a safety system, a helmet (who said it would be easy?). Professional sports photographers often carry two backpacks (one with a camera, the other with equipment), but the shots come out really interesting and the result is worth it.
About inspiration
“When I see my friends performing some new element, completing a difficult course, raising the bar even higher, I want to capture this moment and tell others about it!”
Athletes- these are obviously the ones for whom you started doing this in the first place. Conveying a person’s tension, his emotions, the beauty and complexity of a trick, the picturesque landscape and nature around is a whole art.
Professional photographers. Browse through talented sports photographers, especially if you're new to the sport. You can get new ideas from your colleagues and be inspired by beautiful photographs. Don't be afraid to borrow ideas; in any case, everyone implements them in their own way.
Nature and city also very inspiring! Always try to shoot not the trick itself separately, but in relation to the surrounding space. Sometimes the simplest element can look absolutely stunning in the right surroundings.
Summer is approaching - it's time for vacations. Many today prefer to spend it on tourist trips, on tours to new cities and countries, at resorts or on extreme outings wildlife. So that in the end such a vacation does not remain just a series of personal memories, modern vacationers are required to take a digital camera with them - so that the pictures taken will be long years allowed us to find ourselves again and again on warm islands, on the streets of European cities or in the Pamir or Alps mountains.
What to take into orbit? The best cameras for extreme recreation and tourism. Selecting ZOOM
Since there is no formal class of “tourist” cameras, many traveling vacationers are guided by their own ideas and capabilities when choosing a specific model. As a result, you can see vacationers “armed” with a wide variety of equipment: compact cameras, designer samples, SLR and mirrorless cameras, and so on.
Having chosen a vacation spot, choose the right camera for the trip!
Of course, in our material we cannot – and do not want to – cover all the diversity presented in travel. Therefore, we identified several basic characteristics that the models chosen as the best had to meet.
Selection criteria
However, at the beginning we decided that when talking about holiday tourism, we should keep two things in mind: different style recreation: traditional and extreme. The latter includes trips to the mountains, to places with an uncomfortable climate for people and equipment, to swampy, desert, and Arctic territories. This also includes tourism for diving.
For extreme tourism, the most suitable photographic equipment is special cameras with body protection. It provides moisture and water resistance, dust resistance, and insensitivity of the device’s electronics to shock, pressure changes, heating in the sun and the influence of low temperatures. In addition, when choosing the best representatives of rugged cameras, we focused on compactness and made sure to check that the models had a built-in GPS signal receiver. We explained the first requirement by the fact that extreme tourists (namely tourists, not photographers or amateur photographers on the expedition) have an impressive load, where there is no place for bulky cameras. The second is the certain uniformity of the material filmed in extreme conditions, the cataloging of which is difficult without geopositional information.
Nikon Coolpix AW110
Of all four body colors presented, the Nikon Coolpix AW110 looks most advantageous in khaki camouflage. So the camera looks like a real military device, which in essence it is.
The protective characteristics of the camera are impressive: the Nikon Coolpix AW110 body protects the electronic components of the model from water penetration at a depth of up to 18 meters, from falls from a height of up to 2 meters, from frost down to -10 degrees Celsius, from shock, pressure (compression) and dust. In all of the above conditions, the Nikon Coolpix AW110 is not only capable of properly performing the functions of a camera, but also of being an electronic compass, barometer, altimeter, and depth gauge. The built-in GPS module allows you to record geopositioning data into the system information of the image, and also works as a navigator in conjunction with a world map preinstalled in the device’s firmware.
Nikon Coolpix AW110
The Nikon Coolpix AW110's control ergonomics are also optimized for extreme conditions. So that a person can use the functionality of the camera without removing gloves, a gyroscope is built into the body, which detects shaking the camera up and down and left and right and translates these gestures into cursor movements through the menu system. In addition, all the main mechanical control buttons are larger in size.
Additional advantages of the model include the presence of a built-in Wi-Fi module, an image stabilizer and an HDMI port.
Panasonic Lumix DMC-TS5
Panasonic Lumix DMC-TS5 is not just a camera for extreme tourism, but a whole complex that can make life much easier in conditions of reduced comfort. In addition to the necessary photographic components, the model body contains a compass, barometer, and altimeter - all with the ability to keep a log of indicators.
The protective functions of the Panasonic Lumix DMC-TS5 case allow the device not to be afraid of falling from a height of 2 meters, not to pay attention to temperatures down to -10 degrees, immersed in water to a depth of 13 meters and exposed to pressure of 100 kilograms. In addition, the housing is dustproof to IPX8 and IP6X standards.
Panasonic Lumix DMC-TS5
Panasonic Lumix DMC-TS5 became the first camera in the history of the manufacturer with a protected body that uses Wi-Fi and NFC wireless data transfer technologies - thanks to which footage can be transferred without “depressurization.” Besides, wireless connection allows you to control the device using devices on operating systems Android and iOS.
As a video camera, the Panasonic Lumix DMC-TS5 allows you to shoot videos in Full HD resolution at 60 frames per second with progressive scan. To help with photo and video shooting, the device has Power O.I.S image stabilizer. The maximum burst shooting speed is 7 frames per second.
Sony Cyber-shot DSC-TX200V
The minimalistic design of the ultra-compact Sony Cyber-shot DSC-TX200V does not fit in with the appearance of a traditional camera, which has a protective body. However, this model is not afraid of dust and can be a good choice for underwater photography at a depth of up to 5 meters.
Sony Cyber-shot DSC-TX200V
When making this camera, Sony first of all wanted to create a high-tech miniature device for photography, the owner of which can easily move from one point of light to another - without fear or unfriendly external environment, nor the opportunity to end up with a strange-looking device in a crowd of “cultural” tourists. This makes the Sony Cyber-shot DSC-TX200V one of the most versatile cameras available for the holiday season.
The technological advantages of the Sony Cyber-shot DSC-TX200V include a large (3-inch diagonal) touch display, the ability to shoot video in Full HD resolution at 60 frames per second with progressive scan, and the presence of automatic panorama photography modes (regular and 3D). ). We also note that the speed of serial photography of the device is 10 frames per second.
Pentax WG-3 GPS
If the degree of protection of cameras directly depended on the design and appearance, the Pentax WG-3 GPS would simply be an “indestructible” model - its body looks so brutal and cheerful.
However, the device really does not lack durability: the camera can withstand immersion in water to a depth of 14 meters, a drop from two meters, and freezing down to -10 degrees Celsius. Also, the Pentax WG-3 GPS is not sensitive to dust penetration and pressure (shock) at a level of 100 kilograms-force.
Pentax WG-3 GPS
Despite these impressive features and the camera's built-in compass, the design focus of the Pentax WG-3 GPS is on photographic capabilities. To do this, the camera uses fairly “light” optics with an aperture ratio of F/2, the lens is capable of focusing at a distance of 1 centimeter from the front lens, and six microflashes made of LED elements are installed around its shaft. The model also has a traditional built-in flash.
Other advantages of the camera include the presence of an image stabilization system, support for Qi wireless charging technology and the ability to shoot videos at a speed of 120 frames per second.
Olympus Tough TG-2 iHS
Today, the Olympus Tough TG-2 iHS can confidently be considered one of the best cameras designed for extreme tourism. This model cleverly combines good photographic capabilities, a high degree of body protection and a fairly attractive design.
Olympus Tough TG-2 iHS
As for the protection, this device has at least a little, but it surpasses the protection of competing cameras: the Olympus Tough TG-2 iHS can withstand immersion in water to a depth of 15 meters, it is not afraid of a fall up to a height of 2 meters 10 centimeters, weather disasters do not affect the electronics models to a cooling point of -10 degrees Celsius. The dustproof properties of the Olympus Tough TG-2 iHS have not been measured numerically - but it is sufficient, but the shock pressure the housing can withstand is 100 kilograms-force.
From a design point of view, the Olympus Tough TG-2 iHS attracts not only the harmonious lines of the case and its colors ( classic combinations red and black), but also an excellent OLED display with a diagonal of 3 inches.
Assessing the photographic potential of a camera can begin by indicating the lens aperture, which is equal to F/2. Also worth mentioning is the ability to operate the device in semi-automatic mode with adjustable aperture and sensitivity, and the presence of a lens mount for a proprietary teleconverter.
The best cameras for extreme tourism
| Model | Matrix | Lens | Advantages | Cost, rubles |
| Nikon Coolpix AW110 |
1/2.3"" (6.17 by 4.55 mm) 16.0 MPs (4608x3456) |
28-140 mm EGF |
|
12 thousand |
| Panasonic Lumix DMC-TS5 |
1/2.33"" (6.08 by 4.56 mm) 16.1 MPs (4608x3456) |
28-128 mm EGF |
|
15 thousand |
| Sony Cyber-shot DSC-TX200V |
1/2.3"" (6.17 by 4.55 mm) 18.2 MPs (4896x3672) |
28-140 mm EGF |
|
17 thousand |
| Pentax WG-3 GPS |
1/2.3"" (6.17 by 4.55 mm) 16.0 MPs (4608x3456) |
25-100 mm EGF |
|
15 thousand |
| Olympus Tough TG-2 iHS |
1/2.3"" (6.17 by 4.55 mm) 12.0 MPs (3968x2976) |
25-100 mm EGF |
|
17 thousand |
website
Cameras with a wide range of focal lengths are well suited for traditional tourism. It was among such models that we looked for the best examples. This took into account the quality of the optics, the quality of the final images, the ability to record video in Full HD and the overall functionality of the device. Priority was also given to cameras that had minimum values at the lower end of the focal length range - when traveling through architecturally rich European cities, the widest possible photographic angle is very important. As for the built-in GPS signal receiver and the dimensions of the device, these characteristics were not strictly prescribed. Nevertheless, the presence of GPS was welcomed, and we tried to balance out the rather serious (by road standards) dimensions of the selected models by mentioning more compact alternatives from the same manufacturer.
Nikon Coolpix P520
(An alternative compact option is Nikon Coolpix S9500)
The Nikon Coolpix P520 is a good "vacation" ultrazoom that tries to have a minimal (compared to competitors on the market) impact on your trip budget.
In general, when studying the characteristics of this model, you cannot help but think that the manufacturer, when releasing the Nikon Coolpix P520, had tourists in mind as the target audience.
No, this does not apply to dimensions. The camera's dimensions are quite standard for its class: 12.5 by 8.4 by 10.2 centimeters and weighing 550 grams. It's about achieving a good price/functionality ratio. Having abandoned some of the features (a connector for an external flash, shooting in RAW format), Nikon has included several extremely useful options in the Nikon Coolpix P520.
Nikon Coolpix P520
Among them are the presence of a GPS signal receiver, an excellent freely rotatable display with a diagonal of 3.2 inches and a resolution of 921 kilopixels, and the ability to connect a Wi-Fi module.
The Nikon Coolpix P520 is also capable of shooting video in Full HD resolution at up to 60 frames per second in progressive scan, taking continuous photos at 7 frames per second, and automatically creating circular panoramas and 180-degree panoramas. The device has an automatic mode for shooting frames with an extended dynamic range (HDR) - which is very important on sunlit beaches and city streets. Finally, the model's focusing system is optimized for macro photography and allows the camera to focus on objects located at a distance of 1 centimeter from the front lens.
Sony Cyber-shot DSC-HX300
(An alternative compact option is the Sony Cyber-shot DSC-HX50V)
It is clear that when creating this tourist ultra-zoom, the manufacturer was ready to make sacrifices in functionality for the sake of the highest possible shooting quality. As a result, the Sony Cyber-shot DSC-HX300 really has an outstanding picture for its characteristics. And this is a transfocal lens with a fifty-fold difference in the range of focal lengths and an aperture ratio of F/2.8 and a 1/2.3” matrix with a resolution of 20.4 megapixels.
Of course, it is not possible to achieve maximum results at any ISO sensitivity level. However, the existing range from 100 to 12800 units is more than half suitable. At least up to the ISO 3200 mark - for sure.
The camera also does a good job of shooting videos. Full HD resolution is available at up to 60 frames per second in progressive scan.
Sony Cyber-shot DSC-HX300
Traditionally for Sony products, the camera is pleased with the presence of a large number of automatic modes - including the proprietary panoramic iSweep.
The burst shooting speed of the Sony Cyber-shot DSC-HX300 is 10 frames per second. The model demonstrates more than impressive turn-on speed and fast autofocus performance.
As for the victims, when designing the Sony Cyber-shot DSC-HX300, they touched upon the connector for external flashes, the ability to record frames in RAW format, the presence of GPS and Wi-Fi modules, as well as the limited freedom of the information display mounting mechanism.
Canon PowerShot SX50HS
(An alternative compact option is the Canon PowerShot SX280 HS)
Last year, the Canon PowerShot SX50 HS became the first ultrazoom camera to surpass the fifty-fold difference between the minimum and maximum focal lengths available to the camera lens. And although there are currently three such models on the market, the Canon PowerShot SX50 HS remains Canon's most advanced ultrasonic camera.
The undoubted advantages of the device include a good 1/2.3” sensor that is not overloaded with pixels. Thanks to the moderation of the designers, the matrix has a very good signal-to-noise ratio at high ISO sensitivity values.
Canon PowerShot SX50HS
The dimensions of the Canon PowerShot SX50 HS are 12.3 by 8.7 by 10.6 centimeters, and its weight is 595 grams. This roughly corresponds to the dimensions of an entry-level DSLR with a kit lens.
The advantages of the camera's ergonomics include good controls with extensive use of mechanical elements, a display mount with three degrees of freedom, and the presence of a proprietary connector for an external flash from the Canon Speedlite EX line.
The device is capable of shooting video in Full HD resolution at speeds of up to 60 frames per second in progressive scan. Photo shooting supports recording in RAW format, maximum speed continuous photography – 2.2 frames per second.
Fujifilm FinePix HS50 EXR
(Alternative compact option - Fujifilm FinePix F770EXR)
To compensate for the dimensions - 13.1 by 9.7 by 12.6 centimeters and 687 grams of weight - of the Fujifilm FinePix HS50 EXR, which are more than comparable to the dimensions of entry-level DSLRs, the manufacturer has endowed this device with functionality similar to what we have in DSLRs and we see.
Fujifilm FinePix HS50 EXR
Thus, the model’s forty-two-fold transfocal lens changes its focal length using a mechanical ring - which allows you to frame the image very accurately. Like DSLRs, the Fujifilm FinePix HS50 EXR has a connector for connecting an external flash, an HDMI port and a jack for connecting an external microphone. The autofocus speed of the Fujifilm FinePix HS50 EXR is quite comparable to what we see in entry-level DSLRs - this was made possible thanks to the use of a hybrid phase contrast system in the camera. The gyroscope built into the device allows you to display a level line on the information display or in the electronic viewfinder - which allows you to avoid distortion of perspective, especially when shooting wide-angle architecture and landscapes.
Although the technical characteristics of the Fujifilm FinePix HS50 EXR related to photography can hardly be directly compared with the characteristics of SLR cameras, the model has a lot of advantages here too. Thus, the device is based on a 1/2’’ EXRCMOS matrix. The Fujifilm FinePix HS50 EXR allows you to shoot in RAW format, record video in Full HD resolution at up to 60 frames per second in progressive scan, and a continuous shooting speed of 11 frames per second.
Panasonic Lumix DMC-FZ200
(An alternative compact option is the Panasonic Lumix DMC-ZS30)
Among the selected best models The Panasonic Lumix DMC-FZ200 has a lens with the lowest magnification in the focal length range. This, however, is more than generously compensated for by the constant aperture of the optical design at F/2.8. According to this indicator, the Panasonic Lumix DMC-FZ200 remains a unique representative of the ultrasonic class on the market to this day.
However, the advantages of the model are not limited to optical superiority. The device is “charged” with a complete list of all the features necessary on a long journey. These include a connector for installing an external flash, a jack for connecting an external microphone, a lot of automatic modes - including shooting panoramas and with high dynamic range (HDR) and the presence powerful battery, designed to shoot 550 frames.
Panasonic Lumix DMC-FZ200
The camera's shooting capabilities allow you to capture images in RAW format. The continuous shooting speed of the Panasonic Lumix DMC-FZ200 is 12 frames per second. The device can perfectly replace a video camera in situational situations, making very high-quality video clips in Full HD resolution at speeds of up to 60 frames per second in progressive scan.
Last but not least, the advantages of the Panasonic Lumix DMC-FZ200 include very well-thought-out control ergonomics - with a wide range of mechanical elements and a dual zoom mechanism.
The best cameras for traditional tourism
| Model | Matrix | Lens | Advantages | Cost, rubles |
| Nikon Coolpix P520 |
1/2.3"" (6.17 by 4.55 mm) 18.1 MPs (4896x3672) |
24-1000 mm EGF |
|
14.1 thousand |
| Sony Cyber-shot DSC-HX300 |
1/2.3"" (6.17 by 4.55 mm) 20.4 MPs (5184x3888) |
24-1200 mm EGF |
|
19 thousand |
|
1/2.3"" (6.17 by 4.55 mm) 12.0 MPs (4000x3000) |
24-1200 mm EGF |
|
15.2 thousand | |
| Fujifilm FinePix HS50 EXR |
1/2"" (6.4 by 4.8 mm) 16.0 MPs (4608x3456) |
Which action camera should you choose?
Today it is almost impossible to identify a specific leader in the field of action camera production, however, one brand still stands out from the crowd:
GoPro Hero represents amazing performance, quality and reliability in its products. In the latest line (GoPro Hero 3+), the global brand traditionally presented three models Black, Silver and White, characterized by maximum resolution and high frequency of video recording.
In 13, old boys SONY entered the market, demonstrating to the public the amazing HDR-AS30V, which in many ways was not inferior to its famous competitors. The high quality sensor delivers truly amazing results and the built-in GPS sensor makes this camera special.
The Bullet and Drift Innovation cameras deserve special mention. The former have an original and memorable cylindrical design, which simplifies the use and storage of the camera in some cases. The latter have the entire traditional set of characteristics of extreme video cameras, have a lot of thoughtful nuances such as a convenient fastening system, ergonomic controls, a WiFi module, etc.
Video cameras for extreme sports
All the examples listed above are just examples. Often an extreme camera for shooting in one direction or another depends both on its model features and on the preferences and choices of the buyer. Some cameras may have similar designs, but various functions or similar functions, but completely different designs. Therefore, the choice of a camera, say, for the best action shooting of snowmobiling, LiquidImage or AEE BlackEye, depends on the buyer himself. The main thing is that all the latest action video cameras shoot what is happening in Full HD quality, such a maximum video resolution of 1920 by 1080 megapixels will allow you to capture your ups and vivid impressions in the most best quality and the real picture. Set records, record your achievements on video and preserve the unique brightness of events with the help of advanced modern technology called action cameras!
Each direction of filming has its own characteristics, its own requirements and certain rules. Accordingly, in the direction of different modes and methods of shooting scenes, there are their own models and adaptations of action cameras.
Publication date: 31.01.2018
Do you like to wade through snow storms and conquer waterfalls? But haven’t learned how to properly film your adventures yet? Our expert shares valuable tips.
I am a photographer, and the essence of my profession is working in the most extreme conditions. This is a freezing wind, and frost, and a sandstorm, and snowfall, and rain, and flooding. I’ll immediately make a reservation that of all the above, I only did not work during a sandstorm. But everything is ahead! To successfully photograph in extreme conditions, you need to consider the following five points.
Cloth
Oddly enough, the most important thing in this matter is clothing selected for specific weather conditions. If severe frost, freezing wind or a snowstorm are expected, and you must stand motionless for several hours in the snow, then, of course, you need to be prepared for this. Be sure to wear thermal underwear, thermal socks, warm boots (I highly recommend the option with heated insoles), ski pants, a very powerful, windproof down jacket (you need to choose it specifically for stationary sports). Gloves are required, and two pairs: one - thin - for convenient operation of equipment, the second - thick - for warming up. In very severe cases, you can use the exhaust pipe to heat the gloves if there is equipment at the shooting location. The hat must have a liner made of thick material.
This is roughly what I looked like while filming a project for Ski Doo in Khibiny in 2013. Frosts in the morning reached -34 degrees Celsius, together with a strong wind this gave -40.
When filming on the water, it is advisable to have long fishing boots and fishing overalls. You need to understand that there is always a chance of being left behind in cold water. If you don’t want to freeze instantly, I would recommend choosing just such a suit. The second option is a little simpler - a ski jacket and pants, waterproof boots, a hat and gloves - for shooting in cold conditions on the water.
Shooting in the rain requires waterproof membrane jackets and pants, since ordinary raincoats are not ventilated in any way, which is why you can instantly get wet and hypothermia. Having waterproof and water-repellent boots is also very important to keep your feet warm. I encountered this problem while filming the East European Drifting Championship in Minsk in 2014, when it was pouring rain all day, causing the track to turn into a small lake. Despite this, choosing the right clothes allowed me to finish the shoot with dry feet.
Equipment
The second point is the functionality of the equipment in various conditions.
In cold weather you must have a large number of replaceable batteries for cameras/flashes and store them in an internal pocket or in special warming cases. This will help increase the operating life of the equipment. In severe frost, it is advisable to carry cameras in special cases that provide a little warmth and prevent condensation from settling inside the case (for example, Ruggard DSLR Parka Cold and Rain Protector for Cameras and Camcorders). This also needs to be taken into account when you enter a room from the street, since condensation can ruin the equipment.
When shooting in heavy rain, you should use a water-resistant case for your camera and lens to avoid damaging the electronics. I used Ewa-Marine VFS7 Underwater Housing for Sony NEX-FS700 35mm Camcorder (each case fits a specific camera, so you need to select them individually).
For equipment, you need a good photo backpack or case that is not afraid of shocks and water (for example, Pelican 1650; you can take it with you on a plane).
Which camera should you choose? It depends on your tasks. You can use both small mirrorless cameras, such as Sony A7R2 and A7S2, and Red, Arri for high-budget projects.
Memory cards
Many people don’t pay enough attention to this, but since the most important thing in filming is the result, I really don’t recommend using cheap memory cards and external drives, especially in extreme conditions. The first thing you need is a waterproof case for your cards, as they are the most important part of your entire equipment backpack.
Next, it is important to choose the right hard drives. They should be impact resistant and from a reputable brand. The Lacie Thunderbolt Rugged works well for me. There are also ready-made solutions for copying material (in the field). LaCie DJI Copilot is a very interesting device that allows you to copy material without a computer.
Team
If you are not working alone, you need to find communication and a common language with everyone - clients, assistants and other team members. Extreme conditions are different, and you never know how this or that person will behave in them. It is best to be 100 percent confident in people in advance. It's good if you already have experience working together and you trust each other. Clients are usually not chosen, so sometimes you have to use your diplomatic skills and knowledge of psychology.
Motivation
Something that many of us are constantly lacking. Everything is bad, the equipment is broken, the material is lost, the team members did something wrong - it seems that nothing can be fixed, but there is always a way out. It is necessary to look at the situation from the outside and understand what can be done. It happens that a short pause in work is necessary to rethink everything that is happening. By stopping and thinking a little, you most often manage to find the strength to overcome this condition.
