Indifference of parents to children arguments from literature. The problem of relationships between people (Unified State Examination in Russian). Problems of Unified State Exam essays and examples-illustrations for arguing your own opinion
More and more often, quarrels occur between close people due to a discrepancy in tastes and preferences. That is why S.L. Lvov raises the problem of misunderstanding.
The author talks about a young family in which the husband stopped being interested in his wife’s hobbies and soon discovered her love for serious music. But he didn't appreciate it. Her husband despised her hobby in every possible way, refused to go to a concert with her, depriving her of her dreams, and turned off the receiver. But why did this happen? The girl’s husband believed that all the feelings she experienced when listening to “serious” music were false. And the girl wants to demonstrate superiority over him, to impose her hobbies on him. This displeased the wife, and discord began in the family. “And all this could have been avoided,” says the author, revealing more about the essence of the problem.
I completely agree with the opinion of S.L. Lvov and I believe that the reason for misunderstanding is the unwillingness to understand the other person.
Our experts can check your essay according to the Unified State Exam criteria
Experts from the site Kritika24.ru
Teachers of leading schools and current experts of the Ministry of Education of the Russian Federation.
And in order to resolve the conflict, you need to overcome your selfishness, not interfere or forbid a person to enjoy what he likes.
As an argument, I will cite the work of I.S. Turgenev “Fathers and Sons”. Pavel Kirsanov refused to accept Bazarov with his hobbies and views on life, while Evgeny did not understand not only his uncle best friend, but also most other people.
And in the work of A.S. Griboedov “Woe from Wit” the misunderstanding between daughter and father is shown. Famusov despised his daughter’s passion for novels, but Sophia completely disagrees with her father and chooses what she needs.
Thus, people are obliged to understand each other, begin to take an interest in the hobbies of their friends and loved ones, and also support their choice.
Updated: 2016-10-19
Attention!
Thank you for your attention. Useful material on the topic
If you notice an error or typo, highlight the text and click Ctrl+Enter.
By doing so, you will provide invaluable benefit to the project and other readers.
The problem of relationships between generations is considered one of the eternal issues of morality. Time accelerates, but people cannot keep up with it. Social institutions, codes, norms preserve the traditions of the past. The trends of today, not to mention the future, turn into a storm in the musty crypt of the past.
In this article we will try to highlight not only the relationship between generations, but also the elaboration of this issue in the works of Russian writers.
The essence and origins of the problem
Today, in our fast-paced world, in the conditions of total intergenerational relationships, it becomes noticeably acute. It seems that children move away from their parents not by one, but by several steps at once.
The peculiarity of the struggle between the new and the old is that the former does not always emerge victorious. Adults have more leverage, confidence in their unshakable rightness, and the need to be an authority and leader for the child.
Next, we will look at this problem from the point of view of psychological scientists, and also find out how writers in the nineteenth and twentieth centuries saw it. The material will be especially interesting for schoolchildren who are preparing for exams. Often one of the topics is the following: “Problems of relationships between generations.” You can easily write an essay on this task after reading this article.
Today, the emphasis has shifted from the experience of older generations to the achievements of peers. The child receives almost all knowledge from his parents in an “outdated” form. These days, the lifespan of an innovation sometimes varies within a few days or hours.
In adolescence, boys and girls are forced to go through a kind of initiation stage. They need to learn to control their emotions, become reasonable and wise. This is called "growing up." The difficulty is that with the acceleration of the pace of life, parents themselves have often not yet fully formed into a holistic, mature personality. Or their image is only suitable for the heroes of a nineteenth-century novel.
The problem is that often parents cannot even tell their offspring what to do correctly in a given situation. After all, they never spent their youth in the conditions of the present time. What was previously considered revolutionary, today young people attribute to the Stone Age.
Let's look at the issue of disagreements between parents and children. How do psychologists and writers see it?
What psychologists say
If the task concerns the problem of relationships between generations, the essay can begin with the opinion of experts on this topic.
Now we will talk about some studies conducted by scientists to study the psychology of the adult generation. They believe that the main problem lies in the inability of elders to understand their failure in matters of education.
It turns out that complacency and confidence in the past life experience is the standard by which the “correctness” of a child should be measured, serves as the foundation for discord. It turns out that adults speak one language, and children speak a completely different one.
Moreover, from the point of view of psychologists, the problem of intergenerational relationships often comes from the parents. The most common complaint from children is: “They don’t want to hear me.”
Experiments were conducted to confirm this hypothesis. We will provide a description and results of one of them.
The school asked tenth grade students to rate themselves on a five-point scale. It was necessary to measure internal qualities, such as kindness, sociability, initiative and others. The second task was to determine how their parents would evaluate these same qualities. Older generation asked to rate their children and then predict their self-esteem.
As a result, it turned out that children understand exactly what their parents think about them, and fathers and mothers, in turn, know absolutely nothing about their offspring.
Other studies have proven, in addition to this point, a number of difficulties in relationships between children and adults. Thus, it was found that the child is more frank with his mother than with his father. The second unpleasant point is that many things that interest a teenager are not usually discussed in our society.
Themes of feelings, openness, and sexuality create an insurmountable barrier between generations in the family. This turn of events leads to formal communication and routinization of relationships.
Turgenev, "Fathers and Sons"
According to many critics, the problem of relationships between generations is most fully illuminated in the novel “Fathers and Sons.” In principle, the greatest attention is paid to it here, but you will soon see that there are other works that touch on this issue.
Ivan Sergeevich in his novel shows not just the confrontation between father and son in a single family. This depicts the problem of relationships between generations, since Kirsanov and Bazarov are not relatives.
The first is young, nihilist, democrat and revolutionary. Pavel Petrovich is shown to be a monarchist and an aristocrat to the core. The clash of their worldviews forms the basis of the plot.
We see that Evgeny Bazarov is inclined to deny everything, putting science above all other values. The image of the landscape of Switzerland, for example, is interesting to him only from a geological point of view. He is pragmatic, trying to prove the advantage of new views. However, in the end, Evgeniy dies with the thought that Russia did not accept him.
Bazarov's antagonist is Kirsanov. He loves to talk about the “Russian idea”, the simplicity of peasant life. But in reality, all his words turn out to be an illusion. He is inclined to only talk about it, but by his actions he shows the opposite.
Like many other writers of the nineteenth century, Ivan Sergeevich Turgenev finds himself on the side of the younger generation. Through the prism of the novel, he shows the agony of the old worldview and the birth in the throes of a new philosophy of society.
Tolstoy, "War and Peace"
Next, we will consider the problem of relationships between generations in the novel “War and Peace.” Here Tolstoy, being a keen expert on human souls and motives of behavior, shows three different families. They have different social status, values and traditions. Using the example of the Bolkonskys, Kuragins and Rostovs, we see almost the entire palette of Russian townspeople of the nineteenth century.
However, the novel shows not only the relationships between different generations, but also the tensions between different layers of society. Bolkonsky, for example, raises children as part of serving the Fatherland. He places honor and benefit for other people above all else. This is how Andrei and Maria grow up. However, the old prince often went too far in his upbringing, which he laments on his deathbed.
Kuragins are shown as the complete opposite of Bolkonsky. These are careerists who put social position above all else. Their example illustrates the cold attitude of parents towards children. The lack of sensuality and trust becomes natural for Helen and Anatole.
In fact, Tolstoy shows with the help of empty people who are interested exclusively in material values and external splendor.
The Rostovs are the complete opposite. The parents are shown here fully supporting Nikolai and Natasha. Children can always turn to them for help when they need it. This family is completely different from the aristocratic Bolkonskys and the careerists Kuragins.
Thus, in the first two works we mentioned, the problem of relationships between generations is most fully revealed. It would be best to write an essay (Unified State Exam) based on these novels.
Paustovsky, “Telegram”
When discussing the problem of relationships between generations, arguments from real life will be the best. The story will touch the most painful strings of the human soul. It highlights the situation when children forget their parents.
This is the second extreme to which a family can go. Often the reason is not so much as harmful moments of social influence.
Sometimes teenagers, unprepared for the aggression of the real world, find themselves caught in a whirlpool of other people's goals. They live by other people's ideals and lose themselves. If parents have failed since childhood to accustom their child to the fact that he will be accepted at home in any condition, then the young man will distance himself.
Thus, we are faced with a multifaceted problem of intergenerational relationships. Arguments in favor of proper education and others can be made, but it is better to show the terrible consequences of the deepening abyss.
It is precisely such examples that we see in the works of many writers. In Telegram, in particular, the daughter was late. When the girl came to her senses and came to visit her mother in the village, she found only a grave mound and a simple tombstone.
Paustovsky shows that pride, hidden anger and other barriers that prevent warm relations between relatives always lead to the tragedy of the “offended”. That's why the best way To solve the problem of relationships between generations there will be forgiveness and a sincere desire to understand the interlocutor.
Gogol, Taras Bulba
The problem of relationships between generations in Russian literature also arises quite acutely in Gogol’s work. He addresses the unexpected and terrible side of the realization of this moment.
The story illustrates the father's murder of his child for the sake of his own sense of honor and pride. Taras Bulba could not forgive and survive the betrayal of ideals on the part of Andrei. He takes revenge on him for the fact that the young man did not grow up to be the person he was raised to be.
On the other hand, he punishes the Poles for the death of their youngest son, Ostap.
Thus, in this work we see the bitter truth of reality. Fathers rarely strive to understand their children. They just want to realize their concept of an “ideal life” in them.
That is why the eternal problem of relationships between generations is. You will find the arguments of Russian writers in favor of the impossibility of solving it in our article. Next we will look at different areas of this issue.
But after reading most of the works and studies, the impression remains that along with age, the ideals of house-building awaken at the genetic level in people.
"Eldest Son" - play and film
We are currently discussing the problem of relationships between generations (the Unified State Exam often includes it in the list of tasks). Let's look at Vampilov's comedy "The Eldest Son". It was written in the late sixties of the twentieth century.
The significance of the work is that several generations are intertwined here. We see relationships between three: fathers, adults and younger children.
The essence of the comedy lies in an innocent joke that develops into a significant stage in the life of an entire family. Two friends (Busygin and Silva) stay late in a strange city and are late for transport. They are looking for a place to stay for the night.
In the city they meet Sarafanov's family. Silva tells their new acquaintance that Busygin is his son. The man takes the message at face value because he “had a sin of his youth.”
The essence of the work is that Busygin has to become a link between his father and children, who do not value their parent at all.
We see the already quite mature “youngest” Vasenka, who burns Natalya’s house out of jealousy. Nina, Busygin's sworn sister, wants to run away with her fiance Far East, but her new brother holds her back.
Obeying an impulse of feelings, the deceiver confesses everything. Everything in the story ends well. But the main emphasis is still set. The situation is created in a comic form for easy perception and a comfortable introduction of the “family friend” into the comedy.
It is through the prism of an outsider’s view of the family that the problem of intergenerational relationships is revealed. Vampilov’s work is fundamentally different from similar works of the nineteenth and eighteenth centuries. It is here that we see the picture that exists in our time.
The traditions of home building have actually become obsolete, but the gentleness and thoughtless love of many parents plays a cruel joke on them when their children grow up.
Griboedov and Fonvizin
The problem of relationships between generations in “Woe from Wit” is revealed through the example of Famusov and Chatsky. Let's take a closer look at these symbolic images.
The old generation is characterized by worship of rank, wealth and position in society. It is afraid, does not understand and hates new trends. Famusov was stuck in the petty-bourgeois worldview of the last century. His only desire is to find a son-in-law for his daughter with ranks and stars on his chest.
Chatsky is the complete opposite of Pavel Afanasyevich. He not only verbally denounces the Domostroevsky foundations of the past, but with all his behavior he shows the depravity of the old and the power of the new worldview.
Molchalin is Chatsky’s peer, but contrasts with him in thoughts, goals and behavior. He is pragmatic, two-faced and hypocritical. Above all for him is a warm and financial place. That is why the young man pleases Famusov in everything, is quiet and modest with Sophia.
Chatsky has drama in his personal life. The girl he loves calls him crazy and pushes him away, preferring a “servant with rank.” But, despite this, the outcome of the comedy is shown openly to readers. It is the “carbonaris” and rebels who will replace the traditional servility and mossy behavior of the old nobles.
“Nedorosl” also highlights the problem of intergenerational relationships. The essay is a stunning decoding of the saying: “The apple doesn’t fall far from the tree.” Here we see a separate aspect of the relationship between parents and children. Education, which is not intended to help the child find himself in life and realize himself, but to reflect the mother’s outdated picture of the world.
So, in the comedy “The Minor” we see the result that Mrs. Prostakova received. She did her best to protect the child from the “hateful” world and a corrupt society. Teachers were hired for him only because Peter the Great “bequeathed it so.” And Mitrofanushka’s teachers were not distinguished by their learning.
The comedy is written in the vein of classicism, so all the names in it speak. Teachers Tsifirkin, Kuteikin, Vralman. Son Mitrofan, which in Greek means “resembling a mother,” and Prostakova herself.
We see the disappointing results of blindly following dead dogmas without the slightest attempt to comprehend them.
Starodum, Pravdin and some other characters oppose the old traditions. They reflect the desire of the new society to see a soul in a person, and not an empty gilded shell.
As a result of the conflict, we get a completely merciless, greedy and stupid “undergrowth.” “I don’t want to study, but I want to get married,” this is the most accurate reflection of his essence.
Coverage of the problem in the works of Pushkin
One of the eternal moral issues is the problem of relationships between generations. Arguments from life modern society rarely fully correspond literary images. The closest situation is mentioned in "The Eldest Son", which we talked about earlier.
The works of the classics of the nineteenth century are often useful to young people only in a global sense. The general ethical and moral themes raised in them will be relevant for centuries to come.
Problems of relationships between generations are highlighted many times in Pushkin’s works. Examples include the following: “ Captain's daughter", "Station Warden", "Boris Godunov", "The Stingy Knight" and some others.
Alexander Sergeevich, most likely, did not set himself the goal of reflecting precisely this conflict, like Tolstoy and Turgenev. The clash of generations has been a part of everyday life since the times of primitive people. It’s just that over time the gap between parents and children becomes wider. This is influenced by progress, changes in social values, globalization and many other factors.
In particular, in “The Station Agent” the situation is similar to the one that Paustovsky later illuminated (we talked about this above). Here Samson's daughter Vyrina escapes from her father's house with a hussar. She finds herself in city society and becomes a rich and respectable lady.
When her father finds her, he does not recognize her and does not want to accept his daughter’s new image. Samson returns to the station, where he becomes an alcoholic and dies. Here the conflict is formed due to the different meanings that the characters attach to the concept of “happiness”.
In "The Captain's Daughter" we see a completely different picture. Here Pyotr Grinev firmly remembered the traditional teachings of his father. Following these rules helped him save face and honor in difficult situations.
The old baron in The Miserly Knight loses his own son because he is committed to the old bourgeois principles. He does not want to change his ossified worldview, feudal views. In this essay we see too great a gap between father and son. As a result, the final severance of ties occurs.
Ostrovsky, "The Thunderstorm"
As you have already seen, if the essay should touch upon the problem of relationships between generations, arguments (literary, life and others) can easily help to do this.
To conclude our article, we will give one more example, which perfectly corresponds to the task at hand. Now we will talk about Ostrovsky’s drama “The Thunderstorm”.
This stunning work very clearly shows the collision of the old Domostroevsky and Of all characters Only the main character, Katerina, decides to resist the ossified tyranny of her elders.
There is a saying that Russia is a country of facades. It is in this play that this phrase is deciphered in frightening nakedness. Behind the apparent prosperity and piety of an ordinary Volga town, we discover the true evil hidden in the souls of people.
The problem is not only the cruelty, stupidity and hypocrisy of the older generation. Kabanikha and Wild tyrannize young people only when society does not see them. With such actions they are just trying to “guide” their unlucky children on the true path. However, the difficulty is that all the knowledge and traditions inherent in house-building have long ago turned from norms of behavior into an unnecessary burden.
The downside of this issue is the lack of will, weakness and bestial obedience of the younger ones, as well as the indifference of the rest of the townspeople to what is happening before their eyes.
The problems of relationships between generations in the drama are shown in parallel with the approaching storm. Just as nature strives to free itself from what it has accumulated, sending life-giving rain onto the petrified soil, so Katerina’s suicide makes the indifferent souls of people tremble.
Thus, we have examined the relationship between generations using examples from life, the origins and manifestations of this problem. In addition, we became acquainted with the works of many Russian writers who accurately, sharply and frighteningly truthfully illuminated this issue.
Good luck to you, dear readers! Try to find the strength to be better so as not to become boars, simpletons and other house-builders.
We live in a society where the understanding and support of a loved one means a lot for the development of relationships between people. But if they do not understand each other, then life becomes difficult for them. Is it really?
Suffice it to recall the Rostov family from L.N. Tolstoy’s “War and Peace.” Count and Countess Rostov love their children very much, and mutual understanding always reigns between them. They gave their children good example relationships between loved ones and decent upbringing. Since the parents understand their children, they let Petya go into the army, and Natasha is allowed to give carts to the wounded. Nikolai was raised in such a way that after his father’s death he took upon himself all the concerns of the family. The mutual understanding of the spouses and their understanding of the children served as the key to good family relationships.
Thus, we come to the conclusion that maintaining a good relationship does not require much effort, you just need to understand each other and try to accept someone else’s decision, even if it differs from your own.
Updated: 2017-06-09
Attention!
Thank you for your attention.
If you notice an error or typo, highlight the text and click Ctrl+Enter.
By doing so, you will provide invaluable benefit to the project and other readers.
Sofya Famusova, who grew up in an atmosphere of lies and deception, carefully hides her feelings from her father, realizing that he will not allow the development of relations with Molchalin. He does everything in defiance of his father. Molchalin, on the contrary, is faithful to his moral (or immoral) credo, builds his life as his father bequeathed: to please all people without exception. Griboyedov gives the reader the opportunity to reflect on the future of both heroes.
2. A.S. Pushkin "The Captain's Daughter"
The upbringing of Petrusha Grinev remains beyond the pages of the text, but the main thing that the young nobleman learned from communication with his father (a strict and demanding man) is the need to be true to his word, take care of honor, and observe the laws of morality. He does this in all life situations. Even when his father forbids him to marry his beloved Masha Mironova, he accepts his will as a mandatory requirement.
3. N.V. Gogol "Dead Souls"
From Chichikov’s childhood memories, the image of a gloomy, unkind, cruel father and his instructions about the need to take care and save a penny, the only idol in Pavel Ivanovich’s life, emerges. Chichikov builds his life according to his father’s behests and succeeds in many ways.
4. A.N. Ostrovsky "Thunderstorm"
The relationship between mother and children in the Kabanov family is based on fear and hypocrisy. Varvara is accustomed to lying and is trying to teach Katerina this. But the brother’s wife had different relationships in the family; she does not accept her mother-in-law’s hypocrisy and fights her with her own means. The ending of such an upbringing is predictable: Varvara runs away from home, Katerina dies voluntarily, Tikhon rebels against his mother.
5. I.S. Turgenev "Fathers and Sons"
The “children” in the novel - Bazarov and Arkady Kirsanov - at the beginning of the story act as a united front against the “fathers” in the person of Uncle Arkady - Pavel Petrovich. Nikolai Petrovich does not resist the bold and daring statements of his son and his friend. And he acts wisely and far-sightedly. Gradually, many discrepancies in his friend’s behavior are revealed to Arkady, and he returns to the bosom of the family. And Bazarov, who so easily criticizes the “romanticism” of the Kirsanovs, is absolutely sensitive to such behavior of his father, because he loves his parents and takes care of them.
6. L.N. Tolstoy "War and Peace"
The novel presents several families, in each of which relationships are built on certain principles. In the Kuragin family, this is the principle of profit and gain. Both the father and his children agree to any relationship, as long as it is profitable, that’s how marriages are made. The Drubetsky family is guided by the same principle: humiliation and servility are their tools in achieving their goals. The Rostovs live as they breathe: they enjoy friends, holidays, hunting - everything that decorates our lives. Father and mother try to be honest in everything with their children and each other. Benefits are not important to them. Practically ruining her family and herself, Natasha demands that carts be given to the wounded; this is the only thing a true patriot and merciful person can do. And the mother agrees with her daughter. The relationship between father and daughter Bolkonsky is similar. And although it seems that the father is too strict and intolerant towards his daughter, in fact, he understands too well the difficulties of his daughter’s upcoming life. Therefore, Princess Marya herself refuses Anatoly Kuragin, realizing how right her father is.
7. F.M. Dostoevsky "Crime and Punishment"
Rodion Raskolnikov, explaining the reason for the murder of the old pawnbroker, says that he wanted to help his mother. In fact, he is very kind to his mother, trying to break out of the vicious circle of poverty. With trepidation and excitement, he remembers his father, from whom he was left with a watch (pawned to an old woman pawnbroker). The mother does not fully believe in the crime of her beloved Rodya.
8. A.P. Chekhov "The Cherry Orchard"
In the play, daughter Anya, a seventeen-year-old girl, goes after her prodigal mother, lost somewhere in Paris, in order to return her to the bosom of the family to solve problems with the estate. Ranevskaya behaves naively and stupidly. Only Varya, the adopted daughter of the same Ranevskaya, is endowed with common sense. When Lyubov Andreevna gives a gold piece to a passing beggar, Varya cannot stand it and says that there is nothing in the house, and the lady is throwing away such money. Having lost everything, Ranevskaya leaves for Paris and takes away her aunt’s money, leaving her daughters to their fate. The girl Anya is going to the capital, and it is not clear how her life will turn out, where she will get money for living. Varya goes to work as a housekeeper. Fathers and sons change places here.
9. M.A. Sholokhov "Quiet Don"
In the Melekhov family, everything rests on the power of the father. And when Panteley Prokofievich finds out about Grigory’s relationship with Aksinya, he decides to marry his son to Natalya. Gregory submits to his father's will. But, realizing that he does not love his wife, he gives up everything and goes with Aksinya to work as workers. He agrees to shame in the name of love. But time destroys everything in the world, and the Melekhovs’ house, the foundations of Cossack life, collapses. And soon no one obeys the laws of life, everyone lives as they want. Daria advances on her father-in-law with an obscene proposal, and Dunyashka puts her mother in a hopeless position and literally forces her to give her blessing for marriage to Mishka Koshev.
10. B. Vasiliev “Tomorrow there was war”
The story focuses on two families, Iskra Polyakova and Vika Lyuberetskaya. Iskra's mother is a female commissar, strong-willed, domineering, and strict. But when the mother once again decides to flog her daughter with her soldier’s belt, she responds in the spirit of her mother - just as strictly and irrevocably. And the mother understands that the girl has matured. Vika and her father have a completely different relationship - warm and trusting. When the girl is faced with a choice: abandon her father or be expelled from the Komsomol, Vika decides to take her own life. She cannot abandon her beloved father, no matter what suspicions fall on him.
On this page we have listed the most common family related problems. All of them have a place in the content. Under each heading you will find two arguments for an essay on the Unified State Exam in Russian. You can also download a table with all these examples at the end of the article.
- In the comedy D.I. Fonvizin "Minor" This problem affected one of the main characters Mitrofanushka - the son of the landowners Prostakovs. The young man is already 16 years old, but he still doesn’t know what he wants from life. It cannot be said that the parents did not love the child; on the contrary, they literally smothered him with their care and guardianship. Mitrofanushka’s mother, Mrs. Prostakova, demonstrated especially similar zeal for “education.” Motherly love completely blinded the powerful woman. It seemed that she saw nothing around her except the exaggerated merits of the undergrown Mitrofan. She did everything to tie him to her forever. This is where the young man’s lack of independence, laziness and lack of education came from. The little boy had no need to bother himself, since all his problems were solved for him by his overly attentive mother. Thus, in the play by D.I. Fonvizin’s family played a huge role in Mitrofanushka’s life: blind parental love did not allow the hero to develop.
- In the story by N.V. Gogol "Taras Bulba" The problem of the role of the family in the development of personality is one of the most important. The family of the old Cossack Taras Bulba had two sons - Andriy and Ostap. The image of his father became sacred for the latter. Since childhood, Ostap obediently followed everything his parent taught him. He inherited from him such character traits as perseverance and masculinity. Feelings of patriotism, duty to family and comrades were also instilled in the Cossack by his father. It is safe to say that thanks to his family upbringing and respect for the traditions of his ancestors, Ostap stood up for his Motherland with dignity and withstood all the pains of execution. However, excessive pressure and excess energy of Taras negatively affected the upbringing of Andriy, who fled from his home and violated all the unwritten rules of his family. He rebelled against the pressure of the head of the family and wanted to build his life differently. Thus, the same upbringing had different effects on the fate of Bulba’s sons.
The problem of fathers and children
- Main character novel by I.S. Turgenev "Fathers and Sons" Evgeny Bazarov could not find a common language with his parents. Being an adherent of new habits and morals, a man of science, not faith, Evgeny Bazarov considers the behavior of his parents inappropriate and outdated. He loves his old people, but does not want to live in the past. Also, the hero’s liberal views give rise to a conflict between him and his friend’s uncle, Pavel Petrovich Kirsanov. Evgeniy is horrified by the fact that Kirsanov is ready to spend money on white collars and an imported suit in the village, where no one sees his efforts anyway. According to the young physician, the art dearly loved by Pavel Petrovich could not be compared with science and natural human labor. The elderly man also does not understand the guest, considering him an ill-mannered snob. Only in the finale do they come to terms with each other’s existence, recognizing the fact that the confrontation between generations is a normal phenomenon.
- The reason for the broken destinies of heroes plays by A.N. Ostrovsky "Thunderstorm" again there is a mutual misunderstanding that arose due to the difference in age, different views on the world of fathers and children. Thus, the main character of the work, Katerina, became an unloved daughter-in-law because she does not correspond to the merchant Kabanikha’s ideas about a decent person: she does not obey her mother-in-law, allows herself to speak out about anything, and is devoid of meekness and respect for elders. The confrontation between generations leads to complete chaos in the Kabanovs' house, and ultimately to Katerina's suicide. Another representative of the “elite” of the city of Kalinov and co-ruler of Kabanikha in the “dark kingdom,” the merchant Dikoy hates his nephews and the entire family as a whole. It is difficult for him to accept that the younger generation has the same rights as himself, that Boris deserves respect. And boys and girls also rebel against outdated orders: Varvara deceives her mother, and in the finale she runs away from home, Tikhon blames Kabanova for the death of his wife, etc. Unfortunately, all the characters lacked kindness and understanding, otherwise they could have avoided all these negative consequences.
- Father of Peter Grinev - one of the main characters stories by A.S. Pushkin "The Captain's Daughter"- asked his son to learn a simple truth: “take care of your honor from a young age.” Thanks to his father’s instructions and exemplary upbringing, Pyotr Grinev was able to emerge victorious from a complex game called “Pugachevism.” Honor and respect not only from friends, but also from opponents led Grinev, despite his misdeeds, to find happiness and success in business. Of course, the contribution of Savelich’s father and “nanny” is a very significant contribution to this victory. Peter did the right thing when he did not reject the advice of his elders, drawing conclusions from them; the hero tried to act according to his conscience in everything and with everyone.
- It’s one thing when parents’ advice benefits us, and quite another when a harmless lesson from a father suddenly turns into the cause of a son’s catastrophes. So, in poem by N.V. Gogol's "Dead Souls" it talks about the fate of a once poor young man who became a prosperous and active person. As we know, Chichikov decided to organize an adventure and cash in on the mortgaged peasants, who in fact do not exist. For the sake of enrichment, he was ready for any deception, so he traveled to estates and tried with all his might to persuade the owners to sell him dead souls. The reason for such a frenzied craving for money was his upbringing: even as a child, Pavel received an order from his father to never forget the value of money and to put material wealth above all else. Such words served as a catalyst for moral decline, and later, oddly enough, for the hero’s disastrous financial situation, because he left with nothing after Korobochka’s exposure.
- Of course, all children love their fathers and mothers, no matter what the circumstances, but the awareness of this fact does not always come immediately, that is, at an early age, when we are still able to correct the situation while our parents are alive. In the story by K. G. Paustovsky “Telegram” the young heroine Nastya did not think at all how dear her own mother was to her. Nastya did not understand that the bright colors of big Leningrad would not replace her mother's love and affection. Unfortunately, the girl realized this too late - only when her mother was dying. The death of her closest person gave Nastya a feeling of endless guilt, because the old woman left this world alone, without ever saying goodbye to her daughter.
- As for the main thing hero of the novel by I.S. Turgenev "Fathers and Sons" Evgeniy Bazarov, he also admitted his mistakes late, already on his deathbed. He appreciated the care of his father and mother, but considered its manifestation optional for himself. Due to his character, the educated hero commits rash actions - he pushes away his parents, who are not sacred enough to have learned conversations with him. Although, as it turned out, the young nihilist’s feelings are much closer than he himself thought. But he, rejected by the woman he loves, admits this much later, needing help and affection. He realizes how painful it is for his mother to see his indifference, how ashamed she is that she is not smart enough to be liked by her son. Alas, this realization was late, and the hero dies with a feeling of guilt.
